This year was pretty wild. I allowed myself to start experimenting with shading. It’s also the year where I’d say I managed to understand the fundamentals of The Loud House’s anatomy, though there was still a long way to go. I got more daring with backgrounds as well, which has since turned out to be one of my favorite parts of drawing.

It’s also special because this was the year where people started to ask me for commissions, and I started taking them.